Editor's note: an earlier version of this post appeared in Spacing Ottawa contributor Dave McClelland's Ottawa Project blog Ottawa’s Union Station: it’s a majestic building, a half-scale replica of New York City’s old Penn Station, and painfully underused. Since 1966, when the National Capital Commission removed rail from downtown, the building has served as a government conference centre, rather than a hub for rail travelers. However, if mayor Larry O'Brien isn't just floating the idea for the fun it, it seems that trains might just return to Union Station, in the form of a downtown stop on the new light rail system—taking the place of the Rideau/Sussex station in the LRT proposal. As its stands right now, the interior of Union Station is unknown to most Ottawans. An occasional conference centre for First Minister's meetings and other high-level discussions, its grand hall and spacious passageways are usually roped off to the citizens who walk past it each day. But as the main hall of a transit station, commuters would have cause to use the public space on a daily basis.

In the late-1940s, Ottawa was a vastly different place from the city we know today. In spite of being Canada's capital for 80 years, the city was still relatively small (just over 270,000 people on both sides of the river) and retained much of its industrial roots—especially its position as an important centre for the logging industry—and maintained a haphazard collection of poorly-built “temporary” office buildings to house a civil service that exploded in numbers during the war. Several plans had been prepared throughout the first half of the 20th century to beautify Ottawa, but all wound up falling by the wayside, due to the First World War, Great Depression, and changes in the winds of political favour. It wasn't until 1950, after several years of study, that a plan that would ultimately lead to the transformation of Canada's capital would appear: the Plan for the National Capital General Report, more commonly known as the Gréber plan, after its chief architect, Jacques Gréber.

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