DEADLINE EXTENDED TO MAY 31st Spacing magazine presents the CREATIVE MAPPING CONTEST Do you love maps? Are you an illustrator, graphic designer, or visual storyteller? Spacing wants you to submit your original creative maps inspired by a Canadian city. To date we have received an amazing assortment of submissions. But we also had a whack-load of requests for late submissions. In the spirit of openness, we've extended the deadline until the end of May. DEADLINE EXTENDED: Thursday, May 31st, 2012 COST: Free! WHAT MAKES A MAP CREATIVE (see examples at bottom of page)? The art of map-making has taken tremendous strides in the digital age. In the last decade, there has been an explosion of maps that are not necessarily meant to be used for directions, but instead are considered works of art and inspired imagination. We want you to create an illustrative map that reflects a Canadian city (or a neighbourhood, community) or is inspired by the urban elements that make up a city (examples: waterfront, transit, cycling, walking, graffiti, parks, architecture, laneways/alleys, streets, traffic, taxis, weather, sewers, infrastructure, etc....)

This special column is from Brent Toderian, the former chief urban planner of Vancouver. Last week I had lunch with a friend and fellow urbanist, Bob Ransford. Lunches with Bob are never boring, as we get right into things, and often debate. Bob’s a communications specialist and a longtime member of the Twitteratti (@BobRansford), so amongst discussions about strengthening urbanism in the Cascadia Region, and affordability debates in Vancouver, I asked him a question that’s been on my mind for the last month: Is Twitter a positive tool for Canadian urbanism? Put another way, is twitter facilitating smarter discussions on the country’s urbanism, or are we all getting dumber, 140 characters at a time? I had been very dubious about Twitter while I was a municipal leader, even though I had been blogging as the Director of City Planning for years (I had never sought official permission to do that, and there had been no official rebuke or order to desist, although there was some passive disapproval that I was generally aware of that never became an official issue). A few of my planning, design and architecture friends working in other city halls were tweeting, some as “citizens”, and others referencing in various ways their official positions. I wasn’t sure what to make of that. I saw many public officials (mostly politicians) getting in big trouble from poorly thought-out tweeting. Although I’ve always had the disciplined approach that I don’t write or say anything in social media that I wouldn’t be prepared to say on the record to a reporter, or “shout from the street-corner at Robson and Burrard” (a thought process I used through 6 years of blogging from City Hall), I had always concluded that the risk wasn’t worth it when it came to Twitter. As I was leaving the Vancouver Chief Planner role in February, one of my former colleagues took the liberty of setting up an account for me, strongly encouraging me to use it as part of the “free voice” I would have after leaving city leadership. Indeed, the reasons and circumstances under which I was leaving City Hall, I was told, were already “burning up the Twitter-verse” and if nothing else, I would want to monitor that.

Spacing Senior Editor Shawn Micallef will be in Ottawa tomorrow, May 3rd, to give a talk on walking at the Jane's Walk Ottawa kickoff event at the Hub at 7PM. Come on out and get your pre-walk walk-on (or something like that). More from our friend's at Jane's Walk: Jane's Talk will be held at The Hub, 71 Bank Street (6th Floor) Shawn Micallef loves to walk--and he's thought a lot about why. Since moving to Toronto in 2000, he's been taking to the streets and has captured his wandering in his writings, micro-blogging, and ultimately in his book Stroll: Psychogeographic Walking Tours of Toronto, (Coach House, 2010). As we launch Jane's Walk 2012, we've invited Shawn to help us re-think how we walk. How can wandering the streets of Ottawa help us better understand our city? How can we have fun getting to know our city through psychogeography and what are some practical tools we can use to engage with our city though walking? (And just what is psychogeography anyway?)

  This week, Spacing presents five excerpts from Straphanger, the new book by Montreal-based author Taras Grescoe. The book examines the success stories, challenges, and future hurdles of 14 transit systems from across the world, including Toronto, Montreal, and Vancouver.   TODAY: Toronto (last excerpt) I’d always planned to end up in Toronto. After all, it was the city where I started. I was born at the old Women’s College Hospital, near Queen’s Park station on the Yonge-University line, in 1966. At the time, my parents were renting a top-floor flat in a house on Lytton Boulevard, a short stroller’s push from Yonge Street; an auspicious first address for a newborn, it turned out, as it had belonged to one of the inventors of Pablum (his widow spoon-fed me the vitamin-rich baby mush, which may explain why I never developed rickets). When I was only four years old, my parents joined the exodus to suburbia, and we moved to a cookie-cutter bungalow on a curvy street in Burlington, twenty-five miles west along the shore of Lake Ontario from Union Station. I used to wonder if this early exile from the city was the foundational trauma that led to my lifelong bias against subdivisions, but my Kodachrome-hued memories of Riverside Drive—of netting crayfish in the nearby creek, of walking to Frontenac Elementary School, and of pretending I was Bobby Orr in street hockey games—are for the most part fond, and at worst emotionally neutral. My parents tell me they bought the house as a short-term investment, but if they were hoping the suburbs would be a healthier setting than the city, they seriously misjudged Southern Ontario. Less than a mile from our carport were the multimillion-gallon storage tanks of the Oakville refinery, where British Petroleum was busy making jet fuel, and beyond a tiny stand of oaks known as Sherwood Forest Park lay the Queen Elizabeth Way—six lanes of rushing traffic that, in the days before emissions controls, must have created a formidable cancer corridor of leaded gas exhaust. My parents lasted two years in Burlington, before giving up on the land of loops-and-lollipops and bundling my sister and me onto a westbound train.

This week, Spacing presents five excerpts from Straphanger, the new book by Montreal-based author Taras Grescoe. The book examines the success stories, challenges, and future hurdles of 14 transit systems from across the world, including Toronto, Montreal, and Vancouver.   TODAY: Los Angeles In spite of heroic efforts at revival, downtown Los Angeles can be a pretty forlorn place, filled as it is with polo-shirted security guards on Smith & Wesson mountain bikes fruitlessly trying to herd panhandlers back to the “Nickel,” the city’s skid row. If you know where to look, though, you can catch glimpses of the future Los Angeles once imagined for itself, of enduring architecture and walkable public places, stitched together by rail rather than roads. My favorite piece of Southern California retro-tech is Angel’s Flight, a funicular railway whose two slant-floored cars still haul passengers 300 or so feet up to Bunker Hill, the skyscraper, museum, and concert hall — topped incline that is traditionally considered the heart of Downtown. On Broadway, a plaque in the sumptuously restored Bradbury Building, whose sky-lit interior is all lacquered filigree and exposed cog-works, informs visitors that its architecture was inspired by the 1888 novel Looking Backward, whose author imagined a future in which densely settled American cities would be full of colossal public buildings. One block away, on Hill Street, the words Subway Terminal Building are engraved in the pavement outside an old commercial building that has been converted into upscale condos and lofts. This was where the now-condemned Hollywood subway used to emerge from underground, a mile of tunnel completed in the 1920s in an attempt to solve the congestion problem once and for all by channeling streetcars beneath the pavement and out of the way of cars. It is a reminder that Los Angeles was supposed to turn out a lot differently. Even as engineers were planning the freeway system that would blow the metropolis apart, ambitious rail schemes were being devised to reassert the hegemony of downtown. After the war, hundreds of business owners campaigned under the slogan “Rail Rapid Transit — Now!” to have mass transit rights-of-way built alongside freeways. In 1963, the Alweg Monorail company of Germany even offered to build Los Angeles a 43-mile monorail operation, for free. “Between 1948 and 1980,” writes transportation historian Martin Wachs, “at least six different plans that included some form of rail transit were placed before the citizens, and all failed to be enacted.”

This week, Spacing presents five excerpts from Straphanger, the new book by Montreal-based author Taras Grescoe. The book examines the success stories, challenges, and future hurdles of 14 transit systems from across the world, including Toronto, Montreal, and Vancouver.   TODAY: Vancouver It’s hard not to see Vancouver, British Columbia, and Portland, Oregon, as the long-lost twins of Cascadia, separated when they were still young. Both were born as Gold Rush boomtowns, and both grew up as Pacific Northwest regional centers with thriving ports and economies based on logging and resource extraction. Both developed streetcar and interurban networks, and count smaller areas of postwar suburban sprawl than similar-size North American cities. Both opted for regional governance in the 1970s, Portland with Metro, Vancouver with the Greater Vancouver Regional District (now Metro Vancouver). Vancouver doesn’t have a growth boundary, but it has de facto limits to growth, both geographical — the Pacific Ocean to the west, steep mountains to the north and east, and the United States border to the south — and legal, in the form of a large stock of agricultural land forever protected from development. Both have central city populations of 600,000 in regions of just over two million. It is only now, in their early adulthood, that the twins are showing signs of following distinct life paths. Portland remains a regional center, a city comfortable with incremental growth. Vancouver has lately become an international hub, a model for its own brand of urbanism, and a futuristic city of glass towers bound together by the soaring elevated tracks of streamlined rapid transit. I grew up in Vancouver. It was here, working as a courier, that I witnessed one too many accidents, and developed a lifelong aversion to traffic and cars. My family arrived in the ’70s, settling in a neighborhood of single family homes near the university. Streamlined Brill trolley buses, drawing power from overhead wires, ran down the nearest major artery, Dunbar Street, where only recently streetcars had run. The local housing ran from Tudor-style manses in Shaughnessy Heights, a neighborhood built on an eccentric garden city street plan, to stucco-coated Vancouver Specials, boxy working-class homes with low-pitched roofs and second-floor balconies. Coming from Toronto, Vancouver felt like the edge of the world, an outpost of the British empire experiencing a few timid blooms of alternative culture. This was the place I became a pre-adolescent urbanist, pacing out our block and building a model showing how, if you removed the cars, city streets could be made into parks. When I visit these days — my parents and sister still call Vancouver home — I barely recognize the place. The shock begins when I get off the plane, walk among the totem poles of the coolly West Coast–themed airport, and wheel my bags to the elevated SkyTrain station. The Canada Line, completed for the 2010 Winter Olympics, whisks passengers in Koreanmade electric trains at 50 miles an hour toward the West End. As the driverless light-rail train crosses the Fraser River, I marvel at how thickets of office and condo towers, each cluster corresponding to a SkyTrain station, have cropped up at intervals of about a mile and a half, where once there was only low-rise suburbia. The single-family homes on small lots, which make Vancouver’s west side so reminiscent of East Portland, still exist, but they are now bordered by slickly designed, European-inspired condo blocks with names like City Square and Arbutus Walk. Arriving at the station in Yaletown, once a downtown district of forlorn ware houses, I’m surrounded by “see-throughs,” the slender condominium towers of pale green glass that rise against the snow-dusted coast mountains. After Manhattan, Vancouver’s downtown is now the second densest in North America. In my absence, the backwater of my youth seems to have morphed into a temperate-zone Singapore, a transformation that has spawned a new buzzword among urbanists: “Vancouverism.”

This week, Spacing presents five excerpts from Straphanger, the new book by Montreal-based author Taras Grescoe. The book examines the success stories, challenges, and future hurdles of 14 transit systems from across the world, including Toronto, Montreal, and Vancouver. TODAY: Shanghai, China For first-time car buyers on the floor of the Shanghai Auto Show, the future looks bright, if not downright dazzling. Throughout the cavernous showrooms, lithe motor-show girls in shimmering nylon evening gowns and leatherette mini skirts drape themselves over aerodynamic fenders, like molten watches drizzled over branches in a Dalí landscape. On rotating platforms, surrealistic concept cars languidly pirouette: the Geely McCar, a tiny hybrid with an outsized hatchback that pops up to release a three-wheeled electric motorcycle, and the chrome-grilled Engrand GE, which features a V-8 engine, rear seat massagers, and a built-in refrigerator that, according to the brochure, “gives access to mobile joy.” Caught in the crush, a visitor is torn between amusement and awe; it’s hard not to chuckle at cars with names like the Great Wall Wingle Pick Up, the Jiangling Landwind, or the Book of Songs. At the same time, the audacity of China’s carmakers is impressive: the Noble is a near replica of Daimler’s Smart, the Lifan 320 appears to be a clone of a Mini Cooper, and the Dongfeng Crazy Soldier looks like the love child of a Humvee and a Tonka truck. Every few minutes, cameras flash and applause ripples through the showrooms as another “delivery ceremony” is completed: a proud owner is presented with flowers, a framed photo, and a bag of gift s as he is handed the keys to his brand-new Lavida, Cowin, or Beauty Leopard. The lust to buy is almost palpable. Fourteen million cars were sold in China last year, which means the country has overtaken the United States as the world’s largest automobile market. Over eight days, three-quarters of a million people will pass through the seventeen hangar-like halls of the Shanghai Auto Show — which has now surpassed New York’s to become the world’s largest — lining up for their chance to caress vinyl, shift gears, and slam doors, publicly dreaming of owning modernity’s ultimate consumer item: the private automobile. The big news at this year’s auto show is that subcompacts are no longer at center stage, and major manufacturers have relegated hybrids and electrics to the sidelines as they promote old-fashioned gasoline-powered sedans. For years, the Chery QQ, a fuel-efficient, jellybean-shaped bumper car that retailed for less than $5,000, was the nation’s most popular automobile. Lately, though, the aspiring middle class has set its sights higher. China’s best-selling car is now the BYD F3, a four-door sedan that bears more than a passing resemblance to a Toyota Corolla, with a sticker price of $9,300. The popularity of the F3, which sold over a quarter of a million units in 2010, is a sign that Chinese consumers have made the Great Leap Forward from economy to midsize.

Spacing magazine presents the CREATIVE MAPPING CONTEST Do you love maps? Are you an illustrator, graphic designer, or visual storyteller? Spacing wants you to submit your original creative maps inspired by a Canadian city. WHAT MAKES A MAP CREATIVE The art of map-making has taken tremendous strides in the digital age. In the last decade, there has been an explosion of maps that are not necessarily meant to be used for directions, but instead are considered works of art and inspired imagination. We want you to create an illustrative map that reflects a Canadian city (or a neighbourhood, community) or is inspired by the urban elements that make up a city (examples: waterfront, transit, cycling, walking, graffiti, parks, architecture, laneways/alleys, streets, traffic, taxis, weather, sewers, infrastructure, etc...). The above map — featured in our current issue — is a good example of creative mapping. DEADLINE: Monday, April 30th, 2012 COST: Free!